Stuff sucks has 'it', this fantastical Amsterdam inhabited by English speaking ex pats is a weird place. The 'it' is the whole sluttish mix of different characters. If the artwork somewhat resembles Return to Sender, then the narrative is a free-flowing haze of emotion and japery. (Though Zemi is like a skankalicious version of Colette) I like the looseness here and the willingness to explore sub-plots. It's also what the strip doesn't do that makes it stand out. Liz Greenfield could have added in the goldfish as a talking mascot goldfish but she didn't, she showed restraint.
Heh, this strip has the emo kid, Adam, twisting the whole Emo vibe around. He should be a recurring character.Usually the Emo kid gets a bad rap, Nothing nice to say uses the usual stereotype.I mean, I hate Emo kids, All American Rejects makes me want to hit frogs with a hammer, Dashboard Confessional makes me want to bring public crucifixions back as a spectacle. But I think the Emo kid is good in this strip, Liz Greenfield didn't go down the obvious route and that's always a good thing.
Heh, this strip has the emo kid, Adam, twisting the whole Emo vibe around. He should be a recurring character.Usually the Emo kid gets a bad rap, Nothing nice to say uses the usual stereotype.I mean, I hate Emo kids, All American Rejects makes me want to hit frogs with a hammer, Dashboard Confessional makes me want to bring public crucifixions back as a spectacle. But I think the Emo kid is good in this strip, Liz Greenfield didn't go down the obvious route and that's always a good thing.
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